< Page:Popular Science Monthly Volume 11.djvu
This page has been validated.
THE MODERN PIANO-FORTE.
701
That a general compromise, or sacrifice of truth to convenience, must be made in instruments having twelve fixed tones to the octave, will be seen by a comparison of three most closely-related diatonic scales, and their respective proportions:
G. 240 |
A. 213⅓ |
B. 192 |
C. 180 |
D. 160 |
E. 144 |
F-sharp. 128 |
G. 120 | ||||||||
C. 360 |
D. 320 |
E. 288 |
F. 270 |
G. 240 |
A. 216 |
B. 192 |
C. 180 |
D. 160 |
E. 144 |
F. 135 |
G. 120 | ||||
F. 540 |
G. 480 |
A. 432 |
B-flat. 405 |
C. 360 |
D. 324 |
E. 288 |
F. 270 |
G. 240 |
A. 216 |
B-flat. 202½ |
C. 180 |
D. 162 |
E. 144 |
F. 135 |
G. 120 |
It is clear to the meanest comprehension that the sound "D," the second note of the scale of "C," differs from "D," the sixth note of the scale of "F;" and also that the sound "A," the sixth note of the scale of "C," differs from "A," the second sound of the scale of "G;" and similarly, in the ratio of 80 to 81.[1] It is evident that any
- ↑ The relative speeds of the vibrations of each note of the diatonic scale are here given for the convenience of persons accustomed to calculate by their aid.
264 297 830 352 396 440 495 528
ASCENDING SCALE.
1. The Periphery
of a Circle.2. 53 Degrees. 3. 301 Degrees. 4. 730 Degrees. 5. In Mean
Semitones.C. 33° 31" 11’ 10 56 136 1.1173 B. 611022 27 153 372 2.0391 A. 544316 16 92 222 1.8240 G. 611011 27 153 372 2.0391 F. 333111 10 56 136 1.1173 E. 544316 16 92 222 1.8240 D. 611022 27 153 372 2.0391 C. . . . . . . . . . . . . . . . . . . . . . . . . . . being so drawn that a complete revolution halves the distance from the pole. It is also valuable for other properties besides this geometric periodicity, representing a continuously-rising tone.
This article is issued from Wikisource. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.