W. Augustus Barratt (3 June 1873 – 12 April 1947) was a Scottish-born, later American, songwriter and musician.

Early life and songs

Walter Augustus Barratt was born 3 June 1873 in Kilmarnock, the son of composer John Barratt; the family later lived in Paisley.[1] In 1893 he won a scholarship for composition to the Royal College of Music. In his early twenties he contributed to The Scottish Students' Song Book, with three of his own song compositions and numerous arrangements.[2] By the end of 1897 he had published dozens of songs, such as Sir Patrick Spens, The Death of Cuthullin, an album of his own compositions, and arrangements of ten songs by Samuel Lover.

He then, living in London, turned his attention to staged musical comedy, co-creating, with Adrian Ross, The Tree Dumas Skiteers, a skit, based on Sydney Grundy's The Musketeers that starred Herbert Beerbohm Tree. He co-composed with Howard Talbot the successful Kitty Grey (1900).[3]

He continued to write songs and to receive recognition for them. The 1901 and 1902 BBC Promenade Concerts, "The Proms", included four of his compositions, namely Come back, sweet Love, The Mermaid, My Peggy and Private Donald.[4] His setting of My Ships, a poem by Ella Wheeler Wilcox, was performed by Clara Butt and republished several times.[5] It also appeared four times, with different singers, in the 1913 and 1914 Proms.[4]

America

In September 1904 he went to live in New York City,[1] finding employment with shows on Broadway,[6] including the following roles:

  • on-stage actor (Sir Benjamin Backbite) in Lady Teazle (1904-1905), a musical version of The School for Scandal;
  • musical director of The Little Michus (1907), also featuring songs by Barratt;
  • co-composer of Miss Pocahontas (1907), a musical comedy;
  • musical director of The Love Cure (1909–1910), a musical romance;
  • composer of The Girl and the Drummer (1910), a musical romance with book by George Broadhurst. Tried out in Chicago and elsewhere, it did not do well and never reached Broadway;[7]
  • musical director of The Quaker Girl (1911–1912);
  • co-composer and musical director of My Best Girl (1912);
  • musical director of The Sunshine Girl (1913);
  • musical director of The Girl who Smiles (1915), a musical comedy;
  • musical director and contributor to music and lyrics of Her Soldier Boy (1916–1917);
  • composer, lyricist and musical director of Fancy Free (1918), with book by Dorothy Donnelly and Edgar Smith;
  • contributor of a song to The Passing Show of 1918;
  • composer and musical director of Little Simplicity (1918), with book and lyrics by Rida Johnson Young;[8]
  • contributor of lyrics to The Melting of Molly (1918–1919), a musical comedy;
  • musical director of What's in a Name? (1920), a musical revue

1921 in London

Though domiciled in the US, he made several visits back to England.[1] During an extended stay in 1921 he played a major part in the creation of two shows, both produced by Charles B. Cochran, namely

Back to Broadway

Back in the US he returned to Broadway, working as[6]

  • composer and lyricist of Jack and Jill (1923), a musical comedy;
  • musical director of The Silver Swan (1929), a musical romance

Radio plays

In later years he wrote plays and operettas mostly for radio, such as:

  • Snapshots: a radioperetta (1929)[10]
  • Sushannah and the Brush Wielders: a play in 1 act (1929)[11]
  • The Magic Voice: a radio series (1933)[12]
  • Men of Action: a series of radio sketches (1933)[13]
  • Say, Uncle: a radio series (1933)[14]
  • Sealed Orders: a radio drama (1934)[15]
  • Sergeant Gabriel (with Hugh Abercrombie) (1945)[16]

Personal

In 1897 in London he married Lizzie May Stoner. They had one son. In 1904 he emigrated to the US and lived in New York City. His first marriage ended in divorce in 1915 and, in 1918, he married Ethel J Moore, who was American. In 1924, he became a naturalized American citizen. He died on 12 April 1947 in New York City.[1]

Note on his first name

The book British Musical Biography by Brown & Stratton (1897) in its entry for John Barratt refers to "his son William Augustus Barratt" with details that make it clear that Walter Augustus Barratt is the same person and that a "William" Augustus Barratt is a mistake. For professional purposes up to about 1900 he appears to have written as "W. Augustus Barratt", and thereafter mostly as simply "Augustus Barratt".[17]

References

  1. 1 2 3 4 "ccm :: Barratt, Augustus Barratt, Walter Augustus Barratt, William Augustus Barratt". Composers-classical-music.com. Retrieved 19 July 2020.
  2. "Notes about some Contributors". The Scottish Students' Song Book (sixth ed.). London & Glasgow: Bayley & Ferguson. 1897.
  3. "Kitty Grey". Gsarchive.net. Retrieved 19 July 2020.
  4. 1 2 "BBC Proms". BBC Music Events. Retrieved 19 July 2020.
  5. "My ships [music]". Trove. Retrieved 19 July 2020.
  6. 1 2 Augustus Barratt at the Internet Broadway Database
  7. Bordman, Gerald Martin; Norton, Richard (2010). American Musical Theatre: A Chronicle (fourth ed.). p. 305. ISBN 9780199729708.
  8. "Brown Digital Repository | Item | bdr:90242". Repository.library.brown.edu. Retrieved 19 July 2020.
  9. "The League of Notions" (review of 1921 production at The New Oxford Theatre), Footlight Notes, no. 316, 4 October 2003
  10. "Catalog of copyright entries : Library of Congress. Copyright Office : Free Download, Borrow, and Streaming". Internet Archive. Retrieved 19 July 2020.
  11. Office, Library of Congress Copyright (19 July 1929). "Catalog of Copyright Entries". U.S. Government Printing Office. Retrieved 19 July 2020 via Google Books.
  12. Office, Library of Congress Copyright (19 July 1933). "Catalog of Copyright Entries". U.S. Government Printing Office. Retrieved 19 July 2020 via Google Books.
  13. Office, Library of Congress Copyright (19 July 1933). "Catalog of Copyright Entries". U.S. Government Printing Office. Retrieved 19 July 2020 via Google Books.
  14. Office, Library of Congress Copyright (19 July 1933). "Catalog of Copyright Entries". U.S. Government Printing Office. Retrieved 19 July 2020 via Google Books.
  15. Office, Library of Congress Copyright (19 July 1933). "Catalog of Copyright Entries". U.S. Government Printing Office. Retrieved 19 July 2020 via Google Books.
  16. "Catalog of Copyright Entries. Part 1. [C] Group 3. Dramatic Composition and Motion Pictures. New Series". 19 July 1945. Retrieved 19 July 2020 via Google Books.
  17. Congress, The Library of. "LC Linked Data Service: Authorities and Vocabularies (Library of Congress)". Id.loc.gov. Retrieved 19 July 2020.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.