An example of a key pattern in Insular stone art from Groam House, Scotland.

Key pattern is the generic term for an interlocking geometric motif made from straight lines or bars that intersect to form rectilinear spiral shapes.[1][2][3] According to Allen and Anderson, the negative space between the lines or bars of a key pattern “resemb[es] the L- or T-shaped slots in an ordinary key to allow it to pass the wards of the lock.”[4]

Key patterns have been discovered and used in ornamentation by a number of global cultures in human history, and are thought to largely have been designed independently of each other.[4][5] The earliest examples of key patterns are seen in textile ornaments from Mezin, Ukraine, dated to approximately 23,000 B.C.[5][6][7] Key patterns were also common in textile and ceramic ornamentation during the Neolithic period, with examples found among archeological discoveries in present-day Fiji, Peru, Mexico, Moldova, Romania, Hungary, Yugoslavia, and Greece,[4][5][6][7] as well as in pre-Christian Celtic art.[1][2][3] The oldest known pair of pants, wool trousers found in a grave dated to approximately 1038-926 B.C. in present-day western China, have a decorative band of key patterns woven into them.[8] In addition, extant examples of early medieval Insular art, such as stone decorations and illuminated manuscripts, as well as Japanese, Chinese, and Islamic decorative arts from different periods, feature key patterns.[3][4][9][10]

Celtic mazes, Greek frets, and xicalcoliuhquis are examples of well-known designs that are considered to be key patterns.[2][4][11]

References

  1. 1 2 Hull, Derek (2003). Celtic and Anglo-Saxon art : geometric aspects. Liverpool: Liverpool University Press. ISBN 0-85323-549-X. OCLC 52695754.
  2. 1 2 3 Bain, Iain (1994). Celtic key patterns. New York: Sterling Pub. Co. ISBN 0-8069-0740-1. OCLC 29428299.
  3. 1 2 3 Thickpenney, Cynthia (2020). "Making Key pattern in Insular art: The Harley Golden Gospels and Kilmartin Cross". Peopling Insular Art: Practice, Performance, Perception. Cynthia Thickpenny, Katherine Forsyth, J. Geddes, Kate Mathis. Oxford, UK: Oxbow Books. ISBN 978-1-78925-455-6. OCLC 1180971230.
  4. 1 2 3 4 5 Allen, J. Romilly; Anderson, Joseph; Society of Antiquaries of Scotland (1903). The early Christian monuments of Scotland. Edinburgh: Printed by Neill & co., limited. p. 308.
  5. 1 2 3 Radovic, Ljilana; Jablan, Slavik (2001). "Antisymmetry and Modularity in Ornamental Art" (PDF). Bridges: Mathematical Connections in Art, Music, and Science [Conference Proceedings]: 55–65.
  6. 1 2 Jablan, Slavik (2005). "Modularity in Art". Modularity : understanding the development and evolution of natural complex systems. Werner Callebaut, Diego Rasskin-Gutman. Cambridge, Mass.: MIT Press. ISBN 978-0-262-26969-8. OCLC 62098419.
  7. 1 2 Jablan, Slavik; Radović, Ljiljana (2011-08-09). Glanville, Ranulph (ed.). "Do you like paleolithic op‐art?". Kybernetes. 40 (7/8): 1045–1054. doi:10.1108/03684921111160287. ISSN 0368-492X.
  8. Beck, Ulrike; Wagner, Mayke; Li, Xiao; Durkin-Meisterernst, Desmond; Tarasov, Pavel E. (2014-10-20). "The invention of trousers and its likely affiliation with horseback riding and mobility: A case study of late 2nd millennium BC finds from Turfan in eastern Central Asia". Quaternary International. The Bridging Eurasia Research Initiative: Modes of mobility and sustainability in the palaeoenvironmental and archaeological archives from Eurasia. 348: 224–235. doi:10.1016/j.quaint.2014.04.056. ISSN 1040-6182.
  9. Herringham, Christiana J. (1909). "Notes on Oriental Carpet Patterns-VI. Meander and Key Patterns". The Burlington Magazine for Connoisseurs. 15 (74): 98–104. ISSN 0951-0788. JSTOR 857910.
  10. Wilson, Eva (1988). Islamic designs for artists and craftpeople. New York: Dover Publications. ISBN 0-486-25819-X. OCLC 18134247.
  11. Özkar, Mine; Lefford, Nyssim (2006). "Modal relationships as stylistic features: Examples from Seljuk and Celtic patterns". Journal of the American Society for Information Science and Technology. 57 (11): 1551–1560. doi:10.1002/asi.20431. ISSN 1532-2890.
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