Hit Man
Theatrical release poster by John Solie
Directed by	George Armitage
Screenplay by	George Armitage
Based on	Jack's Return Home by Ted Lewis
Produced by	Gene Corman
Starring	Bernie Casey Pamela Grier
Cinematography	Andrew Davis
Edited by	Morton Tubor
Music by	H.B. Barnum
Color process	Metrocolor
Production company	Penelope Productions
Distributed by	Metro-Goldwyn-Mayer
Release date	December 20, 1972 (1972-12-20) (New York City)
Running time	90 minutes
Country	United States
Language	English
Box office	$1.19 million (US rentals)[1]

Hit Man is a 1972 American crime film directed by George Armitage^[2] and starring Bernie Casey, Pam Grier and Lisa Moore.^[3] It is a blaxploitation-themed adaptation of Ted Lewis' 1970 novel Jack's Return Home, more famously adapted as Get Carter (1971), with the action relocated from England to the United States.^[4]

Plot

Oakland hitman Tyrone Tackett (Bernie Casey) comes home to southern California for the funeral of his brother Cornell. Cornell left behind his wild daughter Rochelle (Candy All), who rejects Tyrone's offer to live with him. Tyrone befriends his late brother's business partner, Sherwood Epps (Sam Laws), and stays in town to investigate his brother's death. He is threatened by gangsters who tell him to leave town, but they've threatened the wrong man.

Cast

Production

George Armitage says he never saw Get Carter before making the film, claiming that producer Gene Corman gave him a copy of the script with no title and said that MGM owned it.^[5] Armitage rewrote it to be set in the African American community, and only then did his agent tell him it was Get Carter. Armitage:

I didn't feel at the time that a white director should be directing it. So I met with Bernie Casey, the film's star, who wanted to direct it, and campaigned for him with Gene, and he said: "I don't want to take a chance on someone who hasn't directed." So he wasn't going to make the picture, and at that point there was a lot of crew and cast involved, and they were friends, so I said: "Okay, I'll do it." There was a great deal of improvisation by the actors, who were bringing me dialogue from the African-American community, and it really worked. Growing up in a racially mixed neighborhood, like I did in Baldwin Hills, I knew a little bit about the culture, but the actors brought so much in terms of dialogue and honesty ... The Colonial Motel up on Sunset worked beautifully for us, and we also shot at a funeral home in southwest L.A., we shot all over there, with a crazy police escort holding traffic on every location. And between locations I'd get in a squad car with these crazy cops and drive 150 mph to the next location, I thought: "God, Roger would be so thrilled with that, that's the way to travel." And I'm so glad we were able to shoot in the Watts Towers, right down there at 103rd.^[6]

Hit Man marked the second time Corman had produced a blaxploitation film for Metro-Goldwyn-Mayer (MGM) that was based on a novel which had previously been adapted for one of the company's films, following Cool Breeze, an adaptation of W. R. Burnett's novel The Asphalt Jungle, which had previously inspired the film of the same name. Both of Corman's productions shared several cast and crew members, including Pam Grier, Rudy Challenger and Sam Laws. The film follows details from Lewis' novel more closely than Get Carter, and does not end with the protagonist's death.^[7]

Reception

Hit Man earned an estimated $1.19 million in North American rentals in 1973.^[1] According to the January 1973 edition of Variety, the film was condemned by the National Legion of Decency, which stated that its "dizzying spectacle of raw sex and supergraphic violence would horrify the Marquis de Sade".^[7]

See also

• List of American films of 1972

References

External links

• Hit Man at IMDb
• Hit Man at AllMovie
• Hit Man at the TCM Movie Database
• Hit Man at the American Film Institute Catalog
• Hit Man at Rotten Tomatoes