π“ˆ™


π“ˆ™ U+13219, 𓈙
EGYPTIAN HIEROGLYPH N037
Gardiner number:N37
← π“ˆ˜
[U+13218] 		Egyptian Hieroglyphs π“ˆš β†’
[U+1321A]

Egyptian

Glyph origin
Representing a lake or pool. Compare the Chinese character π£Ά’. Detailed Old Kingdom forms cover the interior with vertical zigzags of green or blue rippling water:
N39
(π“ˆœ). A form with a few diagonal lines across the interior
N37A
(π“ˆš) appeared in hieratic and semi-cursive hieroglyphs during the Old Kingdom but rarely appeared in hieroglyphs proper before the Late Period. Another variant adds lines, perhaps to suggest depth:
N38
(π“ˆ›). In general, the outline and ripples of the glyph are usually colored black or dark blue, the water green or lighter blue (compare the canal glyph π“ˆ˜ and the ripple glyph π“ˆ–). The phonogrammatic value of Ε‘ is derived by the rebus principle from its use as a logogram for Ε‘ (β€œpool, lake”).

Symbol
S
 (Ε‘)
  1. Uniliteral phonogram for Ε‘.
  2. Occasional biliteral phonogram for zn in zn (β€œto open”), by confusion with
    X4I
    , a variant of
    X4
    (𓏒).
  3. Logogram for Ε‘ (β€œpool, lake”).
  4. Determinative for bodies of water, interchanging with
    N36
    (π“ˆ˜).
  5. Occasional determinative for irrigated land, by confusion with
    N36
    (π“ˆ˜).
  6. Occasional determinative for stone, by confusion with
    O39
    (π“ŠŒ).

Usage notes
This glyph
S
and the jnr (β€œstone”) logogram and determinative
O39
(π“ŠŒ) are extremely similar. The stone hieroglyph is often drawn shorter/squatter than the pool hieroglyph to distinguish the two. In some inscriptions they could also be distinguished by color: the sides of the pool glyph were blue and the interior water was green, while the stone glyph was often white, although sometimes the stone glyph was colored blue instead, see its entry for more.

References
  • Gardiner, Alan (1957) Egyptian Grammar: Being an Introduction to the Study of Hieroglyphs, third edition, Oxford: Griffith Institute, β†’ISBN, page 491
  • Henry George Fischer (1988) Ancient Egyptian Calligraphy: A Beginner’s Guide to Writing Hieroglyphs, New York: Metropolitan Museum of Art, β†’ISBN, page 13
  • BetrΓ², Maria Carmela (1995) Geroglifici: 580 Segni per Capire l'Antico Egitto, Milan: Arnoldo Mondadori Editore S.p.A., β†’ISBN
  • Peust, Carsten (1999) Egyptian Phonology: An Introduction to the Phonology of a Dead Languageβ€Ž, GΓΆttingen: Peust und Gutschmidt Verlag GbR, page 48
  • David Nunn, A Palaeography of Polychrome Hieroglyphs (2020)

Further reading
  • Nina Davies, Picture Writing in Ancient Egypt (1958)
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