THE
TREY O' HEARTS

A Motion-Picture Melodrama


BY
LOUIS JOSEPH VANCE
Author of "The Lone Wolf," etc.


Illustrated with photographs from the picture-play production by the Universal Film Manufacturing Company


Logo of Doubleday, Page & Co.jpg

NEW YORK
GROSSET & DUNLAP
PUBLISHERS

Copyright, 1914, by

Louis Joseph Vance

All rights reserved, including that of
translation into foreign languages,
including the Scandinavian

Frontis--Trey o' hearts.jpg

A GIRL AND A HALF-BREED FOLLOWED HIS EVERY MOVEMENT.

THE TREY O' HEARTS

By LOUIS JOSEPH VANCE

Extravaganzas

The Day of Days
Terence O'Rourke
The Pool of Flame

Romances

The Lone Wolf

The Destroying Angel
The Bandbox
Cynthia-of-the-Minute
No Man's Land
The Fortune Hunter
The Bronze Bell
The Black Bag
The Brass Bowl



JOAN THURSDAY: a Novel

PREFACE

THE work between these covers, however grave its many faults and shortcomings, was penned with a single aim, to wit, to compose a story susceptible to adaptation to motion-picture purposes. Its brazen impudence in respect of probability was demanded by the fact that each episode of the fifteen here presented must of necessity embrace sufficient moving incident to warrant some two thousand feet of film exhibiting from ninety to one hundred and twenty animated scenes.

It is offered in its present form mainly for the amusement of those who in common with the author liked the pictures, who conceived a fondness for the several characters: for the dashing, impish Judith, and the brave, long-suffering Rose so admirably portrayed and differentiated by Miss Cleo Madison; for the gallant if persecuted Alan, who could never have been played by any one lacking the cool-headed daring and good-will of Mr. George Larkin; for that frigid villain, Seneca Trine, as delineated by the always amiable Mr. Edward Sloman; for that notorious bad-shot of unremitting ubiquity and ever-lasting stupidity, Marrophat, as played (with blank cartridges) by Mr. Ray Hanford; and for the cynically devoted Barcus of Mr. Thomas Walsh.

If the work is lacking in the quality known as characterization, the fault is all the author's: if the picture were not, the merit is all the players'. But the work of both would have gone for nothing without the never-failing patience, ingenuity, and intelligence of Mr. Wilfred Lucas, who directed the production of the pictures.

(The author would be guilty of high treason to his kind if he forgot the traditional feud between author and adaptor long enough to give any credit whatsoever to Miss Bess Meredyth, the scenario-writer, who minced the stories into such scene-fodder as is most palatable to the reeling camera.)

The thanks of the author and his publishers are due to the Universal Film Manufacturing Company for permission to reproduce the "still pictures" of scenes in the production here presented as illustrations.

L. J. V.

Los Angeles, California,
October, 1, 1914.

THE TREY O' HEARTS

This work is in the public domain in the United States because it was published before January 1, 1927.


The author died in 1933, so this work is also in the public domain in countries and areas where the copyright term is the author's life plus 80 years or less. This work may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

 
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