For other versions of this work, see The Blind Man's Eyes.
THE BLIND MAN'S EYES
THE BLIND
MAN'S EYES
BY
WILLIAM MacHARG
AND
EDWIN BALMER
WITH ILLUSTRATIONS BY
Wilson C. Dexter
BOSTON
Little, Brown, and Company
1916
MAN'S EYES
BY
WILLIAM MacHARG
AND
EDWIN BALMER
WITH ILLUSTRATIONS BY
Wilson C. Dexter
BOSTON
Little, Brown, and Company
1916
Copyright, 1916,
By Little, Brown, and Company.
All rights reserved
Published, March, 1916
Reprinted, March, 1916 (twice)
April, 1916; May, 1916
June, 1916; July, 1916
Printers
S. J. Parkhill & Co., Boston, U.S.A.
By Little, Brown, and Company.
All rights reserved
Published, March, 1916
Reprinted, March, 1916 (twice)
April, 1916; May, 1916
June, 1916; July, 1916
Printers
S. J. Parkhill & Co., Boston, U.S.A.
To
R. L.
CONTENTS
CHAPTER | PAGE | |
I | A Financier Dies | 1 |
II | The Express Is Held for a Personage | 9 |
III | Miss Dorne Meets Eaton | 24 |
IV | Truce | 32 |
V | Are You Hillward? | 44 |
VI | The Hand in the Aisle | 59 |
VII | "Isn't This Basil Santoine?" | 70 |
VIII | Suspicion Fastens on Eaton | 83 |
IX | Questions | 95 |
X | The Blind Man's Eyes | 111 |
XI | Publicity Not Wanted | 131 |
XII | The Ally in the House | 150 |
XIII | The Man from the Train | 173 |
XIV | It Grows Plainer | 191 |
XV | Donald Avery Is Moody | 206 |
XVI | Santoine's "Eyes" Fail Him | 218 |
XVII | The Fight in the Study | 243 |
XVIII | Under Cover of Darkness | 254 |
XIX | Pursuit | 271 |
XX | Waiting | 288 |
XXI | What One Can Do Without Eyes | 297 |
XXII | The Man Hunt | 310 |
XXIII | Not Eaton—Overton | 324 |
XXIV | The Flaw in the Left Eye | 341 |
XXV | "It's All Right, Hugh"—At Last | 358 |
LIST OF ILLUSTRATIONS
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Frontispiece | |
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Page 64 | |
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Page„ 122 | |
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Page„ 266 |
This work is in the public domain in the United States because it was published before January 1, 1927.
The author died in 1959, so this work is also in the public domain in countries and areas where the copyright term is the author's life plus 60 years or less. This work may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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