200
THE RED TRIANGLE
seeing that you had met the man in one of his villainies—with the idea of enlisting your aid. But I reflected that you would probably make yourself no party to a plan of private revenge, and I hesitated. And then—then, a little more than a week ago, I saw the man himself! Changed, without doubt, but not half as much changed as I am myself. Nevertheless, sure as I am of him now, I hesitated then. For it was here in the meadow that you know, near the barn, and the thing seemed so likely to be illusion that I almost suspected my senses. It was dusk, and he was walking and talking with another man, a good deal younger. And presently, while I was still confounded with surprise, and as they passed behind a clump of trees, Mayes was gone, and I saw his companion alone. He was a young man—an artist, it would seem, with sketch-book and colours."
I started, and Hewitt and I glanced at each other. Peytral saw it and paused. "Never mind," said Hewitt. "Please go on."
"After that I came out every night, in the hope of seeing my enemy again. On several evenings I saw the young artist waiting by the barn expectantly, but nobody joined him. I found that this young man was lodging at a cottage in the village, and I resolved not to lose sight of him.