< Page:Sixty Phrenological Specimens 1831.pdf
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No. 31.- A lawyer with the organs of Eventuality, Language, Mirthfulness, Secretiveness, Combativeness, Self-esteem and Firmness large, and with those of the reflective faculties, Reverence, Ideality, Conscientiousness and Cautiousness small. It is not the best head of the profession.
No. 35.- The head of a superior judge with the organs of Individuality, Eventuality, Language, the reflective faculties, Benevolence, Reverence, Firmness, Conscientiousness, Cautiousness and Ideality large, with those of Acquisitiveness and Mirthfulness small, and with the middle and posterior lobes of the brain moderate.
No. 36. A musician with the organs of tune, Individuality, Eventuality, Love of children, Cautiousness, and Firmness large, with those of Time, Inhabitiveness, and Self-esteem small, and with narrow cheekbones,
No. 37.- A musician with the organs of Time, Individuality, Eventuality, Alimentiveness, and Secretiveness very large, with those of Tune, Ideality, and the reflective faculties very small.
No. 38.— A musician with the organs of Tune, Time, Number, the reflective faculties, Imitation, and Cautiousness large, and with those of Constructiveness, Alimentiveness, Acquisitiveness, Individuality, Size, Weight and Form small. A composer rather than a performer.
No. 39.- A musician with the organs of Constructiveness, Individuality, Form, Size, Weight and Imitation larger than with those of Tune and Time; greater in performing than in composing music.
No. 40.- A musician with the organs of Tune, Time, Constructiveness, Imitation, Combativeness, Destructiveness, and Firmness large, and with those of Reverence, Marvellousness, and
Ideality small.
No. 41.– A musician with the organs of Tune, Time, Individuality, Ideality, Constructiveness,
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