COTTON FROM THE OUTSIDE
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seemed to have evolved a new sense. They communicated by means unknown to normal men.
A wave of the note-book, and the thing was done. And the imitation marble pillars shook, and the ceiling that was painted to look like sculpture trembled, and Time himself stood still in the person of a sham-renaissance clock. And a British officer who was watching the scene said—never mind what he said.
Hence, hence!
II
My next vision is cloistral in comparison. Vision of a quiet courtyard a mile away (Minet el Bassal), where the cotton was sold on sample. Pieces of fluff sailed through the sunlight and stuck to my clothes. Their source was the backs of Arabs, who were running noiselessly about, carrying packages, and as they passed it seemed to be the proper thing to stretch out one's hand and to pull out a tuft of cotton, to twiddle it, and to set it sailing. I like to think that the merchant to whom it next stuck bought it, but this is an unbridled fancy. Let us keep to facts, such as to the small fountain in the middle of the courtyard, which supported a few aquatic plants, or to the genuine Oriental carpets which were exposed for sale on the opposite wall. They lent an air of culture, which was very pleasing. Yet, though here there was no cause for fear, the place was even more mysterious than the Bourse. What did it all mean? To the outsider nothing seems more capricious than the mechanism of business. It runs smoothly when he expects it to creak, and