never left his little mistress, and usually

lay hidden in a loop of her hair near the comb. Nestled there, he accompanied her to the play, to walk, to evening parties, without once betraying his presence; only, when the young girl was playing on the piano, he would desert his retreat, descend her shoulder and creep out to the end of the arm, always preferring the right hand, which plays the air, to the left, which makes the accompaniment,—thus testifying to his preference for melody over harmony.

Jacques' house was a glass box lined with moss, which had once contained Russian cigars from the Eliseïeph manufactory. His private life may therefore be justly said to have lain open to the public. His food consisted of drops of milk, which he preferred to take from the end of his mistress's finger. He died of grief and hunger during her absence on a journey,