HIS LIFE, POEMS AND SPEECHES.
53
I was a convict in an English prison four years ago, and, before the impressions then received are weakened or rubbed out by time, it may be of interest to recall a few reminiscences. First, let me remove all fears of those who are thinking that, where they least expect it, they have fallen among thieves. I was not in the true sense of the word a criminal, although classed with them and treated precisely the same as they were. My offense against the law was political. I had been a soldier in a cavalry regiment, and had been convicted of being a republican and trying to make other men the same; and so, in the winter of 1867, it came about that I occupied Cell 32, in Pentagon 5, Millbank prison, London, on the iron-barred door of which cell hung a small white card bearing this inscription, "John Boyle O'Reilly, 20 years."
Some people would think it strange that I should still regard that cell—in which I spent nearly a year of solitary confinement—with affection; but it is true. Man is a domestic animal, and to a prisoner, with "20 years" on his door, the cell is Home. I look back with fond regard to a great many cells and a great many prisons in England and Australia, which are associated to my mind in a way not to be wholly understood by any one but myself. And if ever I should go back to England (which is doubtful, for I escaped from prison in Australia in 1869, and so permanently ended the 20 years), the first place I would visit would be one of the old prisons. Remember, my name and many a passing thought are scratched and written on many a small place within those cells which I perfectly well recollect, and it would be a great treat to go back some day and read them. And then, during the time I was in prison, I got acquainted with thousands of professional criminals, old and young, who will be the occupants of the English jails for the next twenty years; and I confess it would be of great interest to me to go back and walk the corridor with all the brimming respectability of a visitor, and stop when I saw a face I knew of old, and observe how time and villainy had dealt with it.