climates, into a soil less adapted to its nature, and

less favourable to its increase.

From these lines, laboured with attention, and celebrated by a rival wit, may be judged what can be expected from the most diligent endeavours after this imagery of sound. The verse intended to represent the whisper of the vernal breeze, must be confessed not much to excel in softness or volubility; and the smooth stream runs with a perpetual clash of jarring consonants. The noise and turbulence of the torrent is, indeed, distinctly imaged, for it requires very little skill to make our language rough; but in these lines, which mention the effort of Ajax, there is no particular heaviness, obstruction, or delay. The swiftness of Camilla is rather contrasted than exemplified; why the verse should be lengthened to express speed, will not easily be discovered. In the dactyls used for that purpose by the ancients, two short syllables were pronounced with such rapidity, as to be equal only to one long; they therefore, naturally exhibit the act of passing through a long space in a short time. But the Alexandrine, by its pause in the midst, is a tardy and stately mea-