< Page:Ivanhoe (1820 Volume 2).pdf
This page has been proofread, but needs to be validated.

was closely shaved, his doublet reached to the

middle of his leg, and the girdle which secured it, and at the same time supported his ponderous sword, was embroidered and embossed with gold work. We have already noticed the extravagant fashion of the shoes at this period, and the points of Maurice De Bracy's might have challenged the prize of extravagance with the gayest, being turned up and twisted like the horns of a ram. Such was the dress of a gallant of the period; and in the present instance, that effect was aided by the handsome person and good demeanour of the wearer, whose manners partook alike of the grace of a courtier, and the frankness of a soldier.

He saluted Rowena by doffing his velvet bonnet, garnished with a golden broach, representing St Michael trampling down the Prince of Evil. With this, he gently motioned the lady to a seat; and, as she still retained her standing posture, the knight ungloved his right hand, and proffered to conduct her thither. But Rowena declined, by her gesture, the proffered compliment, and replied, "If I be in the presence of

This article is issued from Wikisource. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.