< Page:Essays and Studies - Swinburne (1875).pdf
This page has been proofread, but needs to be validated.

L'ANNÉE TERRIBLE.

59

read the greatest works of any great poet, to have beheld or heard the greatest works of any great painter or musician, is a possession added to the best things of life. As we pity ourselves for the loss of poems and pictures which have perished, and left of Sappho but a fragment and of Zeuxis but a name, so are we inclined to pity the dead who died too soon to enjoy the great works that we have enjoyed. At each new glory that "swims into our ken" we surely feel that it is something to have lived to see this too rise. Those who might have had such an addition to the good things of their life, and were defrauded of it by delay, have reason to utter from the shades their ghostly complaint and reproach against the giver who withheld his gift from the world till they had passed out of it, and so made their lives less by one good thing, and that good thing a pleasure of great price. We know that our greatest poet living has kept back for many years some samples of his work; and much as he has given, we are but the more impelled by consideration of that imperial munificence to desire and demand its perfect consummation. Let us not have to wait longer than must needs be for the gift of our promised treasures; for the completion of that social and historic trilogy which has yet two parts to accomplish; for the plays whose names are now to us as the names of the lost plays of Æschylus, for the poems which are as the lost poems of Pindar; for the light and sustenance, the glory and the joy, which the world has yet to expect at the hands of Victor Hugo.

1872.

This article is issued from Wikisource. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.