L'ANNÉE TERRIBLE.
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nally the same; no time or theme is inapt for her, no past or present preferable.
We do not therefore rate this present book higher or lower because it deals with actual politics and matter of the immediate day. It is true that to all who put their faith and hope in the republican principle it must bring comfort and encouragement, a sense of strength and a specialty of pleasure, quite apart from the delight in its beauty and power; but it is not on this ground that we would base its claim to the reverent study and thankful admiration of men. The first and last thing to be noted in it is the fact of its artistic price and poetic greatness. Those who share the faith and the devotion of the writer have of course good reason to rejoice that the first poet of a great age, the foremost voice of a great nation, should speak for them in the ears of the world; that the highest poetry of their time should take up the cause they have at heart, and set their belief to music. To have with us Victor Hugo in the present as we have Milton and Shelley in the past is not a matter to be lightly prized. Whether or not we may be at one with the master-singer on all points is a matter of less weight; whether we have learnt to look to Rome or to Paris, regenerate and redeemed from imperial or sacerdotal damnation, for the future light and model of republican Europe, we can receive with equal sympathy the heroic utterance of the greatest Frenchman's trust in the country and the city of the Revolution. Not now, after so many days of darkness, after so many stages of terror and pity, can any lover of France be inclined to cavil at the utmost expression of loyalty, the utmost passion of worship,