than his with the rites of another creed. Upon their ears, first after the cadences of elder poets, fell the faultless and fervent melodies of Tennyson. To them, chief among the past heroes of the younger century, three men appeared as predominant in poetry; Coleridge, Keats, and Shelley. Behind these were effaced, on either hand, the two great opposing figures of Byron and Wordsworth. No man under twenty can just now be expected to appreciate these. The time was when all boys and girls who paddled in rhyme and dabbled in sentiment were wont to adore the presence or the memory of Byron with foolish faces of praise. It is of little moment to him or to us that they have long since ceased to cackle and begun to hiss. They have become used to better verse and carefuller workmen; and must be forgiven if after such training they cannot at once appreciate the splendid and imperishable excellence which covers all his offences and outweighs all his defects: the excellence of sincerity and strength. Without these no poet can live; but few have ever had so much of them as Byron. His sincerity indeed is difficult to discover and define; but it does in effect lie at the root of all his good works: deformed by pretension and defaced by assumption, masked by folly and veiled by affectation; but perceptible after all, and priceless.

It is no part of my present office to rewrite the history of a life in which every date and event that could be given would now seem trite and stale to all possible readers. If, after so many promises and hints, something at once new and true shall at length be unearthed