The hardest work and the highest that can be done by a critic studious of the right is first to discern what is good, and then to discover how and in what way it is so. To do this office for any man during his life is a task always essentially difficult, sometimes seemingly ungracious. We demand of the student who stands up as a judge to show us as he best may how and why this man excels that, what are the stronger and what the weaker sides of his attempted or achieved work when set fairly by the work of others. For if in some one point at least it does not exceed theirs, it is not work of a high kind, and worthy of enduring study. Who is to say this, who is to prove it, we have first to find out; and found out it must be, if criticism is to be held of more account than the ephemeral cackle of casual praisers and blamers; if it is to be thoughtful and truthful, worthy the name of an art, hand maid of higher arts. Now, as a rule, men are mistrustful of one who takes leave to judge the work of a fellow workman. And not without reason or show of reason; for no verdicts more foolish or more false have been delivered than some of those passed by poet upon poet, by painter upon painter. Nor need this be taken as proof of anything base or partial or jealous in the