to this frequent incongruity, who mentions, among other facts, that Moore composed his 'Lalla Rookh' in a large barn? L. E. L. remarks on this subject, 'A history of the how and where works of imagination have been produced, would often be more extraordinary than the works themselves.' Her own case is, in some degree, an illustration of perfect independence of mind over all external circumstances. Perhaps, to the L. E. L. of whom so many nonsensical things have been said—as 'that she should write with a crystal pen dipped in dew upon silver paper, and use for pounce the dust of a butterfly's wing,' a dilettante of literature would assign, for the scene of her authorship, a fairy-like boudoir, with rose-coloured and silver hangings, fitted with all the luxuries of a fastidious taste. How did the reality agree with this fancy sketch? Miss Landon's drawing-room, indeed, was prettily furnished, but it was her invariable habit to write in her bed-room. I see it now, that homely-looking, almost uncomfortable room, fronting the street, and barely furnished—with a simple white bed, at the foot of which was a small, old, oblong-shaped sort of dressing-table, quite covered with a common worn writing-desk heaped with papers, while some strewed the ground, the table being too small for aught besides the desk; a little high-backed cane-chair which gave you any idea rather than that of comfort—a few books scattered about completed the author's paraphernalia."

While on a visit, about this time, to her uncle James, at Aberford, she addressed the following to Mrs. S. C. Hall. It expresses her old love of London:—

"Delighted am I, my dearest Mrs. Hall, to have an opportunity of writing to you. I think,