1794, several years before he broke ground in this field himself. "It used to be a favourite maxim with me, that the genius of a poet should be sacred to the glory of his country. How far this rule can be reduced to practice by an American bard, how far he can prudently observe it, and what success has crowned the efforts of those who, in their compositions, have shown that they have not been unmindful of it, is perhaps not worth the inquiry.

"Does it not appear to you that, to give poetry a popular currency and universal reputation, a particular cast of manners and state of civilization is necessary? I have sometimes thought so, but perhaps it is an error; and the want of popular poems argues only the demerit of those who have already written, or some defect in their works, which unfits them for every taste or understanding."

The success of our author's experiment, which was entirely devoted to American subjects, fully established the soundness of his opinions, which have been abundantly confirmed by the prolific pens of Irving, Cooper, Sedgwick, and other accomplished writers, who, in their diversified sketches of national character and scenery, have shown the full capacity of our country for all the purposes of fiction. Brown does not direct himself, like them, to the illustration of social life, and character. He is little occupied with the exterior forms of society. He works in the depths of the heart, dwelling less on human action than the sources of it. He has been said to have formed himself on Godwin. Indeed, he open-