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Painting she had been summoned by Mark Antony ; in the other, Ulysses restoring Chryseis to her Father. These two marine pieces are in the style of which Claude was especially fond ; the sea in the distance, enclosed in the foreground by two rows of palaces and gardens, which form a port in per- Fig. 172. — Crossing the Ford. By Claude Lorrain. In the Louvre. spective, and the sun beyond, low on the horizon, illumin- ating the surface of the waves which are agitated by the breeze. In the National Gallery, besides the Embarkation of the Queen of Sheba (known as the "Bouillon Claude"), there is