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Sculpture of the Romanesque Period. execution and a certain grandeur in the face and figure of the Saviour. Many really fine works of this description, however, date Fig. 95. — Diptych of Otto II. Hotel de Cluny, Faris. from the eleventh century. Amongst them we must men- tion a book cover, belonging to an evangelarium, now in the Library of Munich, and an ivory tablet in the Bodleian