whatever he might feel, Cazeau knew only one way to act toward a woman.

"Athénaïse, you are not ready?" he asked in his quiet tones. "It's getting late; we havn' any time to lose."

She knew that Montéclin had spoken out, and she had hoped for a wordy interview, a stormy scene, in which she might have held her own as she had held it for the past three days against her family, with Montéclin's aid. But she had no weapon with which to combat subtlety. Her husband's looks, his tones, his mere presence, brought to her a sudden sense of hopelessness, an instinctive realization of the futility of rebellion against a social and sacred institution.

Cazeau said nothing further, but stood waiting in the doorway. Madame Miché had walked to the far end of the gallery, and pretended to be occupied with having a chicken driven from her parterre. Montéclin stood by, exasperated, fuming, ready to burst out.

Athénaïse went and reached for her riding skirt that hung against the wall. She was rather tall, with a figure which, though not robust, seemed perfect in its fine proportions.