and women mingling in the "Gloria in excelsis Deo!"

The words bore no meaning for him apart from the old familiar strain which he had known as a child and chanted himself in that same organ-loft years ago. How it went on and on! Would it never cease! It was like a menace; like a voice reaching out from the dead past to taunt him.

"Gloria in excelsis Deo!" over and over! How the deep basso rolled it out! How the tenor and alto caught it up and passed it on to be lifted by the high, flute-like ring of the soprano, till all mingled again in the wild pæan, "Gloria in excelsis!"

How insistent was the refrain! and where, what, was that mysterious, hidden quality in it; the power which was overcoming M'sieur Michel, stirring within him a turmoil that bewildered him?

There was no use in trying to speak, or in wanting to. His throat could not have uttered a sound. He wanted to escape, that was all. "Bonæ voluntatis,"—he bent his head as if before a beating storm. "Gloria! Gloria! Gloria!" He must fly; he must save himself, re-