< Page:A Treatise on Painting.djvu
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TABLE OF CHAPTERS.

217

Chap.

179. The Difference of Superficies in regard to Painting. 278.
180. How a Painter may become universal. 10.
181. Accuracy ought to be learnt before Dispatch in the Execution. 18.
182. How the Painter is to place himself in regard to the Light, and his Model. 40.
183. Of the best Light. 41.
184. Of drawing by Candle-light. 34.
185. Of those Painters who draw at Home from one Light, and afterwards adapt their Studies to another Situation in the Country, and a different Light. 46.
186. How high the Light should be in drawing from Nature. 27.
187. What Light the Painter must make use of to give most Relief to his Figures. 55.
188. Advice to Painters. 26.
189. Of Shadows. 60.
190. Of the Kind of Light proper for drawing from Relievos, or from Nature. 29.
191. Whether the Light should be admitted in Front or sideways; and which is the most pleasing and graceful. 74.
192. Of the Difference of Light? according to the Situation. 289.
193. How to distribute the Light on Figures. 279.
194. Of the Beauty of Faces. 191.
195. How, in drawing a Face, to give it Grace, by the Management of Light and Shade. 35.
196. How to give Grace and Relief to Faces. 287.
197. Of the Termination of Bodies upon each other. 294.
198. Of the Back-grounds of painted Objects. 154.
199. How to detach and wring forward Figures out of their Background. 288.

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