< Page:A Treatise on Painting.djvu
This page has been validated.

214

TABLE OF CHAPTERS.

LINEAR PERSPECTIVE.

Chap.
112. Of those who apply themselves to the Practice, without having learnt the Theory of the Art. 23.
113. Precepts in Painting. 349.
114. Of the Boundaries of Objects called Outlines or Contours. 291.
115. Of linear Perspective. 322.
116. What Parts of Objects disappear first by Distance. 318.
117. Of remote Objects. 316.
118. Of the Point of Sight. 281.
119. A Picture is to be viewed from one Point only. 59.
120. Of the Dimensions of the first Figure in an historical Painting. 91.
121. Of Objects that are loft to the Sight, in Proportion to their Distance. 292.
122. Errors not so easily seen in small Objects as in large ones. 52.
123. Historical Subjects one above another on the fame Wall to be avoided. 54.
124. Why Objects in Painting can never detach as natural Objects do. 53.
125. How to give the proper Dimension to Objects in Painting. 71.
126. How to draw accurately any particular Spot. 32.
127. Disproportion to be avoided, even in the accessory Parts. 290.

INVENTION or COMPOSITION.

128. Precept for avoiding a bad Choice in the Style or Proportion of Figures. 45.

129.

This article is issued from Wikisource. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.