Once I wrote a little poem which I thought was very fine,
And I showed the printer's copy to a critic friend of mine,
First he praised the thing a little, then he found a little fault;
'The ideas are good,' he muttered, ' but the rhythm seems to halt.'
So I straighten'd up the rhythm where he marked it with his pen,
And I copied it and showed it to my clever friend again.
'You've improved the metre greatly, but the rhymes are bad,' he said,
As be read it slowly, scratching surplus wisdom from his head.
So I worked as he suggested (I believe in taking time),
And I burnt the "midnight taper" while I straightened up the rhyme.
'It is better now,' he muttered, 'you go on and you'll succeed,
'It has got a ring about it — the ideas are what you need.'
So I worked for hours upon it (I go on when I commence),
And I kept in view the rhythm and the jingle and the sense,
And I copied it and took it to my solemn friend once more —
It reminded him of something he had somewhere read before.
. . . .
Now the people say I'd never put such horrors into print,
If I wasn't too conceited to accept a friendly hint,
And my dearest friends are certain that I'd profit in the end
If I'd always show my copy to a literary friend.
This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired.
See Australian Copyright Council - Duration of Copyright (January 2019).
This work is also in the public domain in the United States because it was in the public domain in Australia in 1996, and no copyright was registered in the U.S. (This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.)
This work is in the public domain in the United States because it was published before January 1, 1927.
The author died in 1922, so this work is also in the public domain in countries and areas where the copyright term is the author's life plus 99 years or less. This work may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.