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English poet and critic; also known as Hengist Horne
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Richard Henry Horne
Works
- Hecatompylos. Athenæum (1828)
- Exposition of the False Medium and Barriers excluding Men of Genius from the public (1833)
- The Spirit of Peers and People (1834)
- The Death of Marlowe (1837)
- Cosmo de Medici (1837)
- The Russian Catechism, with Explanatory Notes (1837)
- Gregory VII, a tragedy (1840)
- Poems of Geoffrey Chaucer Modernised (1841)
- The History of Napoleon, 2 vols (1841)
- Orion (1843)
- (ed.) A New Spirit of the Age (1844)
- The Good-natured Bear (1846)
- Memoirs of a London Doll, written by herself, edited by Mrs. Fairstar (1846)
- Ballads and Romances (1846)
- Judas Iscariot, a tragedy in two acts (1848)
- The Poor Artist (1850)
- The Dreamer and the Worker 2 vols (1851)
- Australian Facts and Prospects (1859)
- Prometheus, the Fire Bringer (1864)
- The South-Sea Sisters; a lyric masque (1866)
- The Tragic Story of Emilia Daràna, Marchioness of Albarozzi. Harper's Magazine, (November 1874)
- The Countess von Labanoff, or the Three Lovers; a Novelette. New Quarterly Magazine, (1877)
- Laura Dibalzo (1880)
- King Nihil's Round Table, or the Regicide's Symposium; a Dramatic Scene (1881)
- Soliloquium Fratris Rogeri Baconis. Fraser's Magazine, (1882)
- The Last Words of Cleanthes. Longman's Magazine, (1883)
- Sithron, the Star-Stricken (1883)
- Ancient Idols, or the Fall of the Gods (unpublished)
Works about Horne
- Letters of Elizabeth Barrett Browning, addressed to Richard Hengist Horne, 2 vols (1877)
- "Horne, Richard Henry or Hengist," in A Short Biographical Dictionary of English Literature, by John William Cousin, London: J. M. Dent & Sons (1910)
- "Horne, Richard Henry," in The Dictionary of Australasian Biography, by Philip Mennell, London: Hutchinson & Co. (1892)
- "Horne, Richard Henry," in Dictionary of National Biography, 1885-1900, London: Smith, Elder, & Co. (1885–1900) in 63 vols.
- "Horne, Richard Henry," in Encyclopædia Britannica (11th ed., 1911)
Works by this author published before January 1, 1927 are in the public domain worldwide because the author died at least 100 years ago. Translations or editions published later may be copyrighted. Posthumous works may be copyrighted based on how long they have been published in certain countries and areas.
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