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French theater author
Pierre Corneille
Works
- Mélite (1629)
- Clitandre (1630–31)
- la Veuve (1631)
- la Galerie du Palais (1631–32)
- la Place royale (1633–34)
- l'Illusion comique (1636)
- Médée (1635)
- The Cid (1637)
- Horace (1640)
- Cinna (1641)
- Polyeucte (1642)
- la Mort de Pompée (1643)
- Le Menteur (1643)
- Rodogune (1644)
- Héraclius (1647)
- Don Sanche d'Aragon (1650)
- Andromède, (1650)
- Nicomède, (1651)
- Pertharite, (1651)
- l'Imitation de Jésus-Christ (1656)
- Oedipe (1659)
- Trois Discours sur le poème dramatique (1660)
- La Toison d'or (1660)
- Sertorius (1662)
- Othon (1664)
- Agésilas (1666)
- Attila (1667)
- Tite et Bérénice (1670)
- Psyché (1671, with Molière and Philippe Quinault)
- Suréna (1674)
- "To a Certain Marchioness," in A Sheaf Gleaned in French Fields (p. 3), London: C. Kegan Paul & Co. (1876)
Hymns
- O God of truth, for whom alone I sigh, translated by Henry Downton
Works about Corneille
- "Corneille, Pierre," by George Saintsbury in Encyclopædia Britannica (11th ed., 1911)
- "Pierre Corneille," in Catholic Encyclopedia, (ed.) by Charles G. Herbermann and others, New York: The Encyclopaedia Press (1913)
Works by this author published before January 1, 1927 are in the public domain worldwide because the author died at least 100 years ago. Translations or editions published later may be copyrighted. Posthumous works may be copyrighted based on how long they have been published in certain countries and areas.
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