Alexander William Crawford Lindsay
(1812–1880)

25th Earl of Crawford, 8th Earl of Balcarres, styled Lord Lindsay between 1825 and 1869: Scottish peer, art historian and collector.

Works

  • Argo: or, the Quest of the Golden Fleece (1876)
  • Ballads, songs and poems, translated from the German. (trans., 1876)
  • A brief analysis of the doctrine and argument, in the case of Gorham v. the Bishop of Exeter, and observations on the present position of the Church of England, with reference to the recent decision (1850)
  • Conservatism; its principle, policy and practice (1868)
  • The Earldom of Mar in sunshine and shade during five hundred years (1882)
  • Etruscan Inscriptions analyzed, translated, and commented upon (1872)
  • Letters on Egypt, Edom, and the Holy Land (1838)
  • A letter to a friend on the evidences and theory of Christianity (1841)
  • Lives of the Lindsays (1840)
  • A Memoir of Lady Anna Mackenzie, Countess of Balcarres and afterwards of Argyll, 1621–1706 (1868)
  • Œcumenicity in relation to the Church of England (1868)
  • On the theory of the English Hexameter, and its applicability to the translation of Homer (1862)
  • Poems and poetical fragments (1838)
  • Progression by Antagonism (1846)
  • Report of the speeches of Counsel (1855)
  • Scepticism a retrogressive movement in theology and philosophy, as contrasted with the Church of England, Catholic (at once) and Protestant, stable and progressive (1861)
  • Sketches of the history of Christian Art (1847)

Editions, Collections, and Translations

  • Memoirs touching the Revolution in Scotland, 1988–1690 (ed., 1841)
  • Collection of the German De Bry (1860)
  • Collation of Hulsius (1860)
  • The Stabat Mater (trans., 1865)
  • The True Story of Lord and Lady Byron as told by Lord Macaulay, Thomas Moore, Leigh Hunt, Thomas Campbell, the Countess of Blessington, Lord Lindsay, the Countess Guiccioli, Lady Byron, and by the poet himself, in answer to Mrs. Beecher (1869)

Works about Lindsay


Works by this author published before January 1, 1927 are in the public domain worldwide because the author died at least 100 years ago. Translations or editions published later may be copyrighted. Posthumous works may be copyrighted based on how long they have been published in certain countries and areas.

 


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