The pale discrowned stacks of maize,
  Like spectres in the sun,
Stand shivering nigh Avonaise,
  Where all is dead and gone.

The sere leaves make a music vain,
  With melancholy chords;
Like cries from some old battle-plain,
  Like clash of phantom swords.

But when the maize was lush and green
  With musical green waves,
She went, its plumed ranks between,
  Unto the hill of graves.

There you may see sweet flowers set
  O'er damsels and o'er dames —
Rose, Ellen, Mary, Margaret —
  The sweet old quiet names.

The gravestones show in long array,
  Though white or green with moss,
How linked in Life and Death are they —
  The Shamrock and the Cross.

The gravestones face the Golden East,
  And in the morn they take
The blessing of the Great High Priest,
  Before the living wake.

Who was she? Never ask her name,
  Her beauty and her grace
Have passed, with her poor little shame,
  Into the Silent Place.

In Avonaise, in Avonaise,
  Where all is dead and done,
The folk who rest there all their days
  Care not for moon or sun.

They care not, when the living pass,
  Whether they sigh or smile;
They hear above their graves the grass
  That sighs — "A little while!"

A white stone marks her small green bed
  With "Anna" and "Adieu".
Madonna Mary, rest her head
  On your dear lap of blue!

This work is in the public domain in Australia because it was created in Australia and the term of copyright has expired.

See Australian Copyright Council - Duration of Copyright (January 2019).


This work is also in the public domain in the United States because it was in the public domain in Australia in 1996, and no copyright was registered in the U.S. (This is the combined effect of Australia having joined the Berne Convention in 1928, and of 17 USC 104A with its critical date of January 1, 1996.)

This work was published before January 1, 1927, and is in the public domain worldwide because the author died at least 100 years ago.

 
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